dmitri shostakovich goes out drinking
By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.
Anyway, here’s proof that Beethoven was Black:
"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:
(Louis Letronne, Beethoven, 1814, pencil drawing.)
"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’
Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’
Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’Beethoven’s death mask: profile and full face
C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’
Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’
In Alexander Thayer’s Life of Beethoven, vol.1, p. 134, the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).
Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In Beethoven: His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro]. His black beard…darkened the lower part of his dark-complexioned face.’
Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.
Beethoven, the Black Spaniard(read more here)
They whitewashed BEETHOVEN? O_O
Thank you, history/fact-checking Tumblr.
I now feel the need to go burn every white-skinned image of Beethoven I can find.
dmitri shostakovich goes out drinking
Okay but Never Gonna Give You Up (better known as Rickroll) is actually a really really horrible song for many reasons, which I will better explain under the cut.
Brace yourselves, this is pretty long.
Wow I actually never thought I’d even care about such an old song but jeez
SIGNAL BOOST THE SHIT OUT OF THIS
can we talk about how the impressionists dealt with each other
when debussy accused erik satie’s pieces of having no form, satie turned around and wrote this
three pieces in the form of a pear
Dmitri Shostakovich - Piano Concerto No. 2 in F minor Op. 102: II Andante
An effective way to practice your rhythmic skills.
1. Move your eyes around measuring off every division (the example polyrhythm has 12 divisions). You can do it by tapping, stamping, clicking your tongue, mentally or in any other convenient way
2. Stress every beat, i.e. every vertex of a polygon - or every thick ray on pictures w/out the polygons
(in the example beats fall on divisions # 3, 4, 6, 8, 9, 12)
3. Play rhythms with different hands (the triangle with one hand and the square with the other)
4. Increase your speed gradually, feel the tension between the beats
5. When you achieve smooth and mechanical perfomance at a good pace (80 bpm and faster) focus your attention at first on one rhythm and pronounce its beats (1,2,3), then switch to the other (1,2,3,4)
6. Start switching hands and achieve seamless switching of extremities while perfoming
79. Your’re not afraid of Free Jazz, Math Metal and Indian Classical Music anymore
80. Add ornaments, swing, play in yoga poses and build on new polyrhythms
81. Die happy.
All images are downloadable on deviantart pages